grilledsneakers:

This is what the people of Ferguson are up against and if you still don’t think that this is a big deal then you need to wake the fuck up

(via intherainyseason)

homo-online:

HOMO

Luke O’Donovan was sentenced to 2 years in prison, and 8 years exiled to rural Georgia for defending himself against a mob of Homophobes

My name is Luke O’Donovan. In the early morning of January 1st, 2013, I was attacked by a group of men at a party because of my sexuality. In an attempt to defend myself from the attack I thought could end my life I stabbed 5 of them, while also being stabbed 3 times myself. It is regrettable that anyone had to come to harm, but given the choice of whether to lose my life to a hateful attack or fight for the chance to live, I will always choose the ferocious refusal to go quietly into the night. This refusal was not fueled by hate for my attackers, but by my love for life. It is this passion for life that came in conflict with my attackers, and this same passion that was arrested by the cops and is being punished by the courts. It is this passion that they are trying to chain, to cage, to rehabilitate me away from, but it is this passion that will pull my gaze – always forward – through the dark. I can already glimpse the light at the end of the tunnel. I’ll be home soon.

hansfanclubpresident:

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Before yall get on the subject of “Those animals in St. Louis are rioting for nothing” Let’s take a look at some of the shit white folks like to riot for shall we?

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Wonder how many of those had people talking about the people participating in the riots and calling them every thing except a human being

We riot for injustice and murder and we’re animals

yall riot for sporting events and you’re just over-enthusiastic fans

Ferguson. Birmingham.

Ferguson. Birmingham.

From ANews: @ Statement Regarding the Cancellation of Ekstasis

The show scheduled for Saturday, August 2 was being promoted by a person who runs a black metal label in the Bay Area. The band was being promoted as “Nathan Block’s neofolk project Ekstasis” (verbatim). If this is not Nathan Block’s band, then it is unfortunate that it was being promoted that way. Concerned parties would be well-advised to talk with the people responsible for the show’s promotion.

In regard to the response written by a band member, it is by no stretch of the imagination appropriate to call concerned people “fascists” for simply talking with the owner of the venue. The essence of fascism is not predicated on a foundation of neofolk show cancellations.
The insistence that it is “fascist” for people to talk to a venue about the nature of a show suggests that there is a fundamental problem with people alerting show spaces about problematic bands. This sentiment insinuates that regardless of a band’s racial politics it is wrong to contact a show space about concerns. In no way should people feel compelled to be silent about these situations.

If this situation was merely the result of confusion about the band’s membership, it is odd that this is mentioned nowhere in the response. It is especially strange given the fact that the band informed the owner of the venue that they did not know a “Nathan Block”. Instead of a clear explanation, we are presented with a long-winded, self-important rant riddled with great leaps of logic that leave more questions than answers.

It is unclear why this response states that anyone has declared what people can or cannot read. A few people calling a venue does not equate to a book ban. To be clear, there is no logical comparison to be made between Senator Joseph McCarthy’s state-supported campaign against the American Left and a handful of marginalized people calling a venue about a scheduled show believed to have white nationalist ties. The owners of the venue made their own decision based on what they saw and heard, at no point were they threatened or intimidated.
Conversations that people have had with some members of the band have obviously left them very concerned. It seems that the statement released directly conflicts with some of these conversations, leaving people unsure of what is really going on.

To be clear, we are not convinced that the faith of a white American exempts them from the possibility of being racist, nor are we partial to the “black friend” lineage of dialectics. If the band members are not associated with white nationalist politics, then this situation is unfortunate. We hope this is the case, yet this would conflict with conversations people have had with the band in the past.

Perhaps this situation should be better contextualized.

The old fascist forms have, for the most part, been superseded by contemporary reactionary movements in the social, cultural, and political spheres. It goes without saying that America of 2014 is not Germany of 1933, and that the character of white nationalism is always specific to the terrain. The handful of idiots still goose stepping through the streets with Swastika armbands have been marginalized even by the larger white supremacist movement. In Germany, the new fascist is a vegan hipster. In Russia, fascists run the streets in black blocs.

Today, racist movements around the world have used much of the theory of anarchism and imagery of punk rock to make themselves more appealing and relevant. This is the so-called “third-positionist” tendency. The reactionary movements of this decade will not look like the tendencies of years past.

Paradoxically, there are few 21st century racist formations in America who do not claim to oppose racism. The Minuteman Project, Keystone State Skinheads, Vinlanders’ Social Club, Bay Area National Anarchists, and Youth For Western Civilization all claim to oppose the oppression of other races and state they exist for the defense of their own people. Across the world, reactionary groups now hide their racism behind the facade of cultural preservation and “separate but equal” politics.

In the United States as in Europe, white supremacy has developed a political following in the cultural realm. The neofolk scene, tracing its roots to Death in June and Current 93, has always had a clear yet unfortunate association with white nationalism. Blood Axis, Changes, Fire and Ice, Waldteufel, Die Weisse Rose, Of The Wand and Moon, and Blood and Sun are among the bands in the white nationalist current of neofolk. Even Stella Natura, the giant neofolk festival held in the Tahoe National Forest, is sponsored by the white nationalist Asatru Folk Assembly. The racist Viking Brotherhood does security for the festival. The fascist publisher Counter-Currents tables the event.

As members of Ekstasis attend and play this festival, they are certainly well aware of the racial dynamics of that scene. In this context, it is not surprising that, when it is announced that a neofolk band with white nationalist ties is coming to play in Oakland, people would be concerned.

The presence of racism in the ecological movement is as old as the word “ecology” itself. The white nationalist tendencies within the neofolk scene are documented and well known. Conversation around these disconcerting issues is important and will continue.

-Some Bay Area Anarchists.

About

we are neither naive enough to hope for anything better, nor compliant enough to forfeit the possibilities of our bodies. every moment is at risk for our insanity and even we do not know when it will be unleashed next. we do not know who or what we are and probably do not wish to; the course we are nudged towards must be abandoned. we must lose ourselves completely.


- DELETE ME, I'm so ugly